This
film is like a fable written by Terry Gilliam, and filmed by Terrence
Malick. It’s impressionistic, hazy, up
for debate, sad, strange, and beautiful. It’s a movie that makes you want to
make movies. If it was better, you might
not be as inspired by it. The film is
about a rundown community of jolly fools who live on the edge of survival and
civilization, in a place called the Bathtub. The world has passed these people
by, and they are just fine with that, besides, there’s “No crying in the
Bathtub.” This is a place to experience and celebrate the mysteries of life,
and to realize your connection to, and your purpose in, the universe. Nobody in
the Bathtub exemplifies this more than Hushpuppy, a six year old spitfire of
love, passion, and joy who just wants her mommy back and her daddy, Wink, to
take care of her. Wink wants to make her
strong enough to take care of herself, because he’s slowly dying, so he’s
downright frightening and seems like a danger to Hushpuppy in some scenes. He says his job is to “keep you from dying.”
Gradually, as the film unfolds, we begin to see why Wink is this way. His wife ran off after Hushpuppy was born.
True love crushed him, and all he knows now is that living is good, so he’s too
tough on Hushpuppy. He gives Hushpuppy her own double wide on their property.
Until she burns it down, gets rescued by Wink, and a giant storm hits the
Bathtub, flooding everything. The polar
icecaps start melting, and the Aurochs, giant wooly mammoth-boars get unfrozen
from the ice, and head toward the Bathtub.
Society finally notices the Bathtub, but only makes things worse, and
Hushpuppy leads a gang of pre-pubescent girl orphans on a quest to find
mothers. Hushpuppy is a kid character
for the ages. She saves the Bathtub from the Aurochs by being herself, and
taking the time to explain her situation to bloodthirsty animals, something only
a kid would think to do. She knows what’s right, and doesn’t question it.
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